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February 04 meses atrásDesde hace algunos meses me he dedicado a leer, y también a escribir, pero sobre todo a pensar...a pensar un poco en todas esas cosas tan tipicas y comunes que nos ocupan el día...tratando de pensar el mínimo de tiempo en el amor o el desamor, o el corazón...porque esos temas no traen nada bueno...
Mejor ocuparse de la vida, de la humanidad, de la guerra, de la crisis, de la política, de las cosas que pasan y que a veces ignoramos por estar pensando en cosas menos importantes...en fin...así como hace tiempo escribí de mi vida por Godard, hoy podría dedicar mi vida a la literatura, que erroneamente no se concidera un arte...sin embargo, lo es..y en mi opinión es aquella que muestra más complejidad y me parece menos eterea..todos lo pueden leer, no hay que moverse para poder conocerla y ....y ....por estos y otros motivos, prefiero vivir con intensidad
May 12 Una vida por Godard...Michel Poiccard (Jean-Paul Belmondo) es un ex-figurante de cine admirador de Bogart que, tras robar un coche en Marsella, mata fortuitamente, y con un revólver que encuentra en la guantera, a un motorista de la policía camino de París. Allí, tras robar dinero a una amiga, va en busca de Patricia (Jean Seberg), una joven burguesa americana, sin ningún remordimiento por lo que ha ocurrido en la carretera. Patricia es una aspirante a escritora que vende el New York Herald Tribune por los Campos Elíseos. Espera escribir en el periódico y matricularse en la Sorbona. En Europa parece haber hallado una libertad que no existe en América. Michel le propone que se vaya con él a Roma a lo que ella se niega. Después de la negativa, Michel va cobrar un cheque a su código postal. Entonces sabemos que la policía le busca por la muerte del motorista. (FILMAFFINITY)
---------------------------------------- Película clave en el despertar de la "Nouvelle Vague" (Nueva Ola) del cine francés, renovador movimiento que tuvo en Godard uno de sus más estimulantes creadores. (FILMAFFINITY) ---------------------------------------- "Sin este pequeño inmenso filme no se entendería nada del cine posterior" (Ángel Fdez. Santos: Diario El País) ----------------------------------------
January 17 The best New york city movies
Best New York movies? Fuggeddaboudit -- we got your New York movies right here. There are so many great ones to list that narrowing it down to 10 or 12 seems as criminal as eating your pizza with a knife and fork. I'll tell you one thing: Filmmakers like to wreck New York as often as they like to work here. Aside from a brief, post-Sept. 11 lull, New York has been ravaged by a giant ape ("King Kong" -- three times!), asteroids ("When Worlds Collide," "Deep Impact"), aliens ("Independence Day") and other assorted natural and unnatural catastrophes. So if you think some gigantic monster crawling out of the sea to take down Manhattan -- as in the new, J.J. Abrams-produced "Cloverfield" -- is gonna bring this town to its knees, you've got another thing coming. New York ain't just about mayhem, although you get plenty of that in Times Square any day of the week. Nope, it's about love, drama, danger, crime, heroism, scams, adventure and breathtaking scenery ... all the good stuff that the best movies are made of. Here's a rundown of some of the finest New York movies around, and, believe you me, I tried to overstuff this thing like a Carnegie Deli sandwich. In fact, this could be the start of a series -- we're always working all the angles in this town. Got any complaints about the list? Hey, this is New York -- you know what you can do with 'em. 15. "Rosemary's Baby" See also: "The Devil's Advocate," "The Seventh Victim," "The Sentinel" 14. "Escape From New York" See also: "I Am Legend," "Beneath the Planet of the Apes" 13. "Serpico" See also: "The Seven-Ups," "Prince of the City," "Q & A" 12. "Working Girl" See also: "The Devil Wears Prada," "Baby Boom" 11. "Superman" See also: "Spider-Man," "Spider-Man 2" 10. "West Side Story" See also: "42nd Street," "All That Jazz" 9. "Do the Right Thing" See also: "Jungle Fever," "The Landlord," "The Siege" 8. "Wall Street" See also: "Glengarry Glen Ross," "Boiler Room" 7. "Saturday Night Fever" See also: "A Bronx Tale," "Queens Logic" 6. "King Kong" See also: "The Beast from 20,000 Fathoms," "Q -- The Winged Serpent" 5. "When Harry Met Sally ..." See also: "An Affair to Remember," "Breakfast at Tiffany's," "The Goodbye Girl" 4. "The Godfather" and "The Godfather: Part II" See also: "Once Upon a Time in America," "King of New York," "The Pope of Greenwich Village" 3. "The Taking of Pelham One Two Three" See also: "The French Connection," "Dog Day Afternoon," "The Warriors" 2. "Taxi Driver" / "Mean Streets" See also: "Goodfellas," "After Hours" 1. Woody Allen January 02 La aventura romanaEstabamos solos y en lugar de quedarnos aqui (BCN)a deprimirnos..mejor nos fuimos a Roma..y que aventura..nos paso de todo , nos llevaron a los lugares más extraños en los peores barrios a las peores horas..pero lo importante es que sobrevivimos!casi chocamos en el barón rojo... la pasamos bien y sobre todo nos REIMOS hasta no poder más, hasta asustar a la gente...para eso son los viajes no? para conocerse y reirse..cansarse y recorrer lugares nuevos...
Fue un gran viaje..lo volvería a hacer sin duda...aunque pienso que nunca regresaré a Roma, por que nunca será tan divertido como lo fue esta vez:)*
Giovanni y Lvdovica
Por muchos viajes más karnalebrio....! November 18 *Duran Duran**DURAN DURAN*
En los 80's , cuando reinaba la 'inociencia' o más bien la ignorancia sobre la homosexualidad y los tabúes sociales ..también reinaba Duran Duran , sonido innovador, pegajoso, bailable muy gay, pero conservando un poco de recato por eso de la 'tradicional'cultura gringa...un éxito seguro..así eran los Duran ...hoy queda muy poco de ellos..no es que sean malos, por que el que es creativo es creativo..pero prefiero vivir del recuerdo de sus hoy antiguos hits..'Decade' me ha ayudado disco recopilatorio que en pocas palabras tiene todas las canciones que fueron éxito en los 80'90' ...
Por que la buena música no pasa de moda.
Save a Prayer
"Save a Prayer" was a 1982 hit single for Duran Duran. It was their 6th single, and the third from the platinum album Rio. The soft, seductive ballad reached #2 in the UK Singles Chart, being held off the top spot by Survivor's "Eye of the Tiger". The song was not released as a single in the United States (although the video was very popular on MTV), but a live version released from the Arena reached #16 on the Billboard Hot 100 in 1985. Duran Duran are an English pop group notable for a long series of popular singles and vivid music videos. They were the most commercially successful of the New Romantic bands and a leading band in the MTV-driven "Second British Invasion" of the United States. During the past three decades they have placed 21 singles in the Billboard Hot 100 and 30 in the Top 40 of the UK Singles Chart, and have sold more than 85 million records.[1] The band's hit singles include "Girls on Film", "Rio","Hungry Like the Wolf", "Save a Prayer", "Is There Something I Should Know?", "Planet Earth", "Union of the Snake", "The Reflex", "Wild Boys," "Notorious", and the James Bond theme "A View to a Kill" in the 1980s, "Ordinary World" and "Come Undone" in the early 1990s, and "Sunrise", and "What Happens Tomorrow" in the 2000s.[1] They have won two Grammy Awards for their music videos. October 10 tutitour Mexicano*~México~*
Eme- e -acento-equis-i -ce-o
Un mes en México, patria santa, no es suficiente...pero fué genial poder estar con la familia sanguinea y no la urbana a la que también aprecio inmensamente, de cualquier forma.. estar donde te consienten, te quieren, te cuidan y te conocen...disfrute cada día y cada persecución policiaca, las chelas en la alberca y mis interpretaciones horribles de Hombres G que torturaban a todos,y las de Male de Luis Miguel que tampoco eran muy agradables pero que tenian sentimiento, a Beto y sus bailes típicos con el sombrero de vaca...el tequila clandestino que consiguió Liz..la caída de Logan en la alberquita:P Aline ahogandose, y a Max que se quita el traje de baño cada vez que puede...
Estos son recuerdos que nunca se olvidarán...el mejor 15 de septiembre que he tenido...agregue pozole y tostadas y el insurgente siempre armado con las SOL...
¡VIVA MORELOS!
*Por que las mejores fiestas terminan en Azul o en Reyes, pero terminan... acompañados por Paul Van Dyck y sus "Politics of dancing"
Podría ayudarte pero ....ahmmm Que lo hagan ellas ! el bronceador a Luis.
Paulina y su traje mínimo, bueno toda su ropa es mínima.
El trip al pueblo ese con mi mamá los muchos besos de mi amor Jimmy, las canciones de mi Nany. Un juego de futbol y muchas risas...Los abuelos, las novelas y el terrible 12 corazones! Jessy que risa con el CHILANGOTOUR buscando el Café Tacuba jaja tu bien enojadita, con las Fridas adoradas, Bellas Artes: si gustan les puedo dar un tour por el museo... Y la golfa de Grecia...bueno ella es así....el reencuentro con los galanes wannabe, Morrissey en Tijuana_(el infierno).
Una nueva amiga, muchos tacos, tortas y tostadas...
Ahora el reecuento de los daños, dificil de calcular, por lo mientras 8 kg de más...dieta rigurosa y mucha agua, gripe, tos de perro pero sobre todo miles de recuerdos....
August 17 Morrissey: RINGLEADER OF THE TORMENTORS~*MORRISSEY*~En un mundo lleno e Indie..(que me perdonarán pero solo sirve para musicalizar Zara en temporada de rebajas)....-gracias a Dios- también existe ~*Morrissey*~, su maravillosa música que nos hace pensar en lo malo del mundo y lo bueno de nosotros ...el soudtrack de mis días se puede resumir en el ringleader of the tormentors..una música que me lleva a olvidar lo que pasa .....ese acento, esos ojos es simplemente un ser ideal ...Morrissey odiado por muchos y amado por todos demás que no lo odian...How soon is now? puede ser, pero ahora es tiempo de You have killed me que lleva en mi cabeza ya muchos días.....as I live and breathe you have killed me.....
~YOU HAVE KILLED ME ~Pasolini is me
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Reparto:
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Emilio Echevarría |
.... |
El Chivo |
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.... |
Octavio | |
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Goya Toledo |
.... |
Valeria Maya |
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Álvaro Guerrero |
.... |
Daniel |
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.... |
Susana | |
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Jorge Salinas |
.... |
Luis Miranda Solares |
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Marco Pérez |
.... |
Ramiro |
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Rodrigo Murray |
.... |
Gustavo |
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Humberto Busto |
.... |
Jorge |
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Gerardo Campbell |
.... |
Mauricio |
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Rosa María Bianchi |
.... |
tía Luisa |
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Dunia Saldívar |
.... |
mamá de Susana |
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Adriana Barraza |
.... |
mamá de Octavio |
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José Sefami |
.... |
Leonardo |
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Lourdes Echevarría |
.... |
Maru |
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Laura Almela |
.... |
Julieta |
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Ricardo Dalmacci |
.... |
Andrés Salgado |
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Gustavo Sánchez Parra |
.... |
Jarocho |
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Dagoberto Gama |
.... |
Álvaro |
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Gustavo Muñoz |
.... |
El Chispas |
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Carlos Bernal |
.... |
Javier |
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Rodrigo Obstab |
.... |
El Jaibo |
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Edgar González |
.... |
Rodrigo, bebé de Susana |
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Hilda González |
.... |
cajera |
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Patricio Castillo |
.... |
doctor |
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Roberto Medina |
.... |
conductor de televisión |
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Ángeles Marín |
.... |
conductora de televisión |
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Ana María González |
.... |
enfermera |
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Carlos Samperio |
.... |
hombre del "deshuesadero" |
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T. Kazuyo Togawa |
.... |
señora gorda |
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Adriana Varone |
.... |
amante de Luis |
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Bruno Salgado |
.... |
El Champignon |
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Adriana Islas |
.... |
Lina |
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Regina Abad |
.... |
Jimena |
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Leoncio Torres |
.... |
El Pelón |
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Luisa Geliz |
.... |
secretaria de Daniel |
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Jean-Paul Bierry |
.... |
hombre en la junta |
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Alma Rocío González |
.... |
mujer en la junta |
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Mauricio Martínez |
.... |
judicial |
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Juan Manuel Ramos |
.... |
policía |
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Ernesto Bog |
.... |
hombre 1 |
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José Luis Barraza |
.... |
hombre 2 |
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Jorge Arellano |
.... |
niño cuidador 1 |
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Jonathan Herrera |
.... |
niño cuidador 2 |
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Heriberto Castillo |
.... |
extraño |
Comentario:
En muy poco tiempo, el debut cinematográfico del popular productor radiofónico Alejandro González Iñárritu ha llegado a convertirse en una de las cintas clave del cine mexicano contemporáneo. El que su estreno coincidiera con los trascendentes cambios políticos experimentados por nuestro país durante el 2000, agregó a Amores perros un significado peculiar de renovación y esperanza, palpable en la entusiasta recepción que el público mexicano ha tributado a esta película.
Decenas de premios y nominaciones, entre ellos la muy celebrada nominación al Oscar de Hollywood a la mejor película en lengua no inglesa, confirman la calidad del proyecto emprendido por González Iñárritu y sus colaboradores, particularmente el escritor y guionista Guillermo Arriaga. La historia de Octavio, Valeria, el Chivo y los demás personajes de Amores perros ha cautivado a críticos y espectadores por igual, quienes no han dudado en compararla favorablemente con las historias filmadas por Tarantino y Kieslowski.
¿Significa esto que, como el país, el cine mexicano ha ingresado a una nueva etapa de su historia? Es probable que aún sea muy pronto como para echar las campanas al vuelo, pero es evidente que existen personas empeñadas en lograr que el cine mexicano recupere, al menos, la confianza de un público que había desconfiado de él durante muchos años.
El éxito de Amores perros confirma la importancia de que las nuevas compañías cinematográficas privadas participen en la reconstrucción de la industria del cine en México. Durante la década pasada, los esfuerzos llevados a cabo por el IMCINE para evitar la extinción de nuestra cinematografía lograron convencer a muchos de que el cine podía seguir siendo uno de los productos más importantes de la oferta cultural mexicana. En la actualidad, empresas como Altavista Films, Argos Cine, Tabasco Films y Titán Producciones, entre otras, han respondido al reto que significa hacer un cine con calidad y atractivo comercial.
Mientras tanto, Amores perros ha logrado convertirse en el fenómeno fílmico del cine mexicano de este nuevo siglo, y en la película que pondrá a prueba la calidad y aceptación de las futuras producciones cinematográficas de nuestro país.
| Twelve Monkeys | |
|---|---|
Twelve Monkeys movie poster | |
| Directed by | Terry Gilliam |
| Produced by | Charles Roven, Lloyd Phillips |
| Written by | David Webb Peoples, Janet Peoples |
| Starring | Bruce Willis Madeleine Stowe Brad Pitt |
| Music by | Paul Buckmaster |
| Cinematography | Roger Pratt |
| Editing by | Mick Audsley |
| Distributed by | Universal Pictures (USA) PolyGram Filmed Entertainment (UK) |
| Release date(s) | December 27th, 1995 (USA) |
| Running time | 129 min |
| Country | United States |
| Language | English |
| Budget | $29,000,000 (estimated) |
| All Movie Guide profile | |
| IMDb profile | |
Twelve Monkeys is a 1995 science fiction film written by David and Janet Peoples and directed by Terry Gilliam. The movie deals with time travel and memory and is inspired by the French short film La Jetée. The film stars Bruce Willis, Madeleine Stowe, and Brad Pitt.
Contents[hide] |
Bruce Willis stars as James Cole, a convict in a post-apocalyptic future who is plagued by a vivid, recurring dream of a man being shot in an airport. Humans are forced to live underground, sealed from a surface contaminated with a virus that killed most of the human species in 1996–1997. The disease is believed to have arisen as an act of bioterrorism by a mysterious group calling itself "The Army of the Twelve Monkeys."
The movie has an unusual narrative style. Stowe plays a skilled psychiatrist and Pitt, in an Oscar-nominated performance, plays Jeffrey Goines, a very mentally unstable man who crosses paths with Cole on several occasions.
As a convict, Cole is forced to "volunteer" for dangerous missions to the surface in a biohazard suit, exploring a deserted Philadelphia for biological specimens. The abandoned city is now inhabited by wild animals. Almost all of humanity has been wiped out by an incurable virus, with the few survivors living in a wretched and tyrannical society deep underground. Cole proves to be a careful observer with excellent memory and is "volunteered" to participate in a more ambitious branch of the program.
The scientists of the future have invented a crude method of time travel. Travelers cannot be sure of the exact time and place to which they are sent, and they are badly disoriented after arriving at the past and upon their return. Cole and other convicts are sent back in time to discover the origin of the virus and retrieve samples. The scientists wish to study the virus in its unmutated form to enable them to produce a cure. The time travelers are asked to leave voice mail messages at a phone number monitored by the scientists in the future.
The scientists initially attempt to send Cole back to October 1996, a few weeks before the outbreak of the disease. He appears in Baltimore in April 1990 and is arrested after a violent encounter with police. Due to his incoherent story, Cole is institutionalized at a psychiatric facility, and placed under the care of Dr. Kathryn Railly (Stowe) who strongly feels as though she has seen Cole before. There Cole meets Jeffrey Goines (Pitt), a deranged animal rights and anti-consumerism activist. When Cole is interviewed by Railly and other doctors, he desperately attempts to warn them of the impending catastrophe and inquires about the Army of the Twelve Monkeys. He is grudgingly permitted to call the scientists' phone number, but discovers no voice mailbox.
Goines helps Cole escape the ward by providing a key and creating a major disturbance, but Cole is quickly recaptured and placed in restraints in an isolation room with no obvious possibility of escape. Cole is then returned to the future, disappearing from his locked room, and baffling Railly and the institution's authorities.
After returning to the future, Cole is interviewed by the scientists. They play a voice mail message giving the Army of the Twelve Monkeys location, saying "They're the ones that did it", but Cole denies having left that message. The scientists also show him a series of photographs from the outbreak time-period to see if any of the images are familiar to Cole from his experiences in 1990. Among the photographs is a picture of Goines at the head of a rally.
Throughout the film, Cole has recurring dreams involving a man in a ponytail running through an airport, another man in a mustache and long brown hair chasing him and being shot, and a blonde woman chasing after them and screaming. The dream varies with each instance, with the ponytail man resembling Goines in one instance.
In a second attempt to send Cole back to 1996, assured that "this time" they would get him to the correct destination, he arrives briefly in the middle of a World War I battle. He encounters Jose, a fellow inmate, who has also been sent to the past. Cole is shot in the leg while reaching toward a wounded Jose, and a moment later is propelled forward in time to the original target date, November, 1996.
Between 1990 and 1996, Dr. Railly has taken an interest in the Cassandra Syndrome. She publishes a book on the topic, citing examples of unheeded prophecies of doom dating back to the 14th century. Cole finds a poster announcing one of her lectures, and after a book-signing session, kidnaps her to aid him in finding the Army of the Twelve Monkeys. She continues to believe that Cole is delusional, and realizes from media accounts that she and Cole are the subject of a massive manhunt. However, she ignores several opportunities to escape, and begins to assist Cole in his quest. She even removes the WWI bullet from his leg when he informs her that he has been shot.
Also prominent in the news at the time is the story of a boy in Fresno, California who is trapped in a well. Cole tells Railly that he remembers coverage of that story from when he was a child and reveals to her that the whole thing is a prank, and the boy is really hiding in a barn.
Cole uses his photographic memory of the pictures he was shown by the scientists to locate the office of a bunch of well-meaning but ultimately ineffectual young animal rights activists who promote their ideas through leafleting and legal protests. Cole is sure he has found the source of the outbreak, not only because Goines is in charge of the organization but also because Goines' father is a famous virologist with access to deadly biological agents. Goines, however, became disenchanted with legal protest and formed a splinter group of twelve activists, The Army of the Twelve Monkeys, who plan more direct action such as freeing animals from zoos and research facilities. However, Goines quit the group to work at his father's lab, saying that he would personally oversee any animal testing there to insure humane treatment.
Cole and Railly track Goines to a conference at his father's mansion. Cole enters the mansion and attempts to question Goines about the origin of the virus. Goines suggests that releasing a worldwide pandemic was an idea Cole originally broached at the psychiatric facility in 1990. Cole is highly disturbed by the possibility that he was partially responsible for the pandemic and begins to embrace Railly's theory that he is delusional and has created the virus and the time-traveling story in his head. As police and dogs from the mansion approach, Railly pleads with Cole to turn himself in. Cole vanishes suddenly, leaving a surprised Railly to explain her captivity and subsequent flight to disbelieving detectives.
The detectives show further doubt in Railly's story when an analyst confirms that the bullet she removed from Cole's leg dates back to World War I. This revelation, along with the confirmation in the news that the boy in Fresno had actually been hiding in a nearby barn, causes Railly to have her own doubts. She searches through a series of WWI photographs. Jose had earned a footnote in history books as a shell shocked soldier whose hysteria had caused him to "forget" the French language entirely, replaced by an unrecognizable dialect of English. Featured in the background of a picture of Jose was Cole, reaching out to him. Now convinced that Cole's story is true, Railly returns to the office of the animal-rights activists to ask them more questions.
After returning to the future, Cole is congratulated by the scientists for bringing back vital information that will help them retake the the surface of the planet. However, Cole now believes his future experiences are hallucinations and longs to return to 1996 and be with Railly. He persuades the scientists to send him on a third mission back in time. Back in Philadelphia in 1996, he finds Railly at the animal-rights activists' office, and admits to her that he is crazy. Convinced that he is not, she calls the scientists' voice mail number, and leaves a message with what she thinks is a carpet cleaning company. When she recites her message to Cole later, they realize that it matches, verbatim, the message the scientists played for Cole prior to his second mission, and they both know that the coming plague is real. They put on disguises (Cole with a mustache and a long brown wig, and Railly in a blonde wig) and make plans to fly to Key West to avoid the virus.
After Goines' splinter group frees the animals from the Philadelphia Zoo, they leave spray painted messages around the city indicating that the Army of the Twelve Monkeys "Did It", leading the future scientists to incorrectly attribute the release of the virus to Goines and his "Twelve Monkeys". Railly and Cole are momentarily heartened to discover the Twelve Monkeys' plot had nothing to do with the epidemic.
Cole, now in love with Railly and the music and open air of the pre-infection world, decides that he has done his duty to the future. At the airport, he leaves a last message telling the scientists they are on the wrong track following the Army of the Twelve Monkeys, and that he will not return to his own time. Railly sees Dr. Peters at the airport and after glancing at a newspaper picture, recognizes him as the elder Goines' assistant. She is horrified by the realization that he intends to carry the unmutated virus to every city where the disease is known to have originated. Simultaneously, Cole is confronted by Jose who, based on Cole's message, has been sent to the airport. He provides Cole with a gun just as Railly informs Cole that Dr. Peters is the culprit. After a scuffle and argument with security, Cole is fatally shot by police as he pulls the gun to stop Peters from boarding his plane. As Cole dies in Railly's arms, she returns the sad, steady gaze of a small boy. The young James Cole is witnessing his own death, the scene that will replay in his dreams in years to come.
Dr. Peters hurries away from the security area during the shooting and is able to board the plane. Seated next to Peters is the lead scientist from the future (Carol Florence). She introduces herself after some small talk with Peters: "Jones is my name. — I'm in insurance."
"The Passenger" is a song by proto-punk artist Iggy Pop. This song was first released on the Lust for Life album in 1977; it was also released as the B-side of the album's only single, "Success".
The lyrics, written by Iggy Pop allegedly aboard Berlin's S-Bahn, have been interpreted as embodying the nomadic spirit of the punk outcast. The music was written by guitarist Ricky Gardiner. Whilst possessed of a distinctive riff, "The Passenger" is perhaps most recognizable by its chorus of repeated "la-la" scatting on which David Bowie originally sang backup.
In 1998 the song was released as a single in the UK after being used in a TV commercial for Toyota Avensis. The single peaked at number twenty-two.
Guinness used the song for a television advertisement featuring an airplane flying through a pint-glass-shaped valley with clouds representing the beer's foamy head.
tHE PASSENGEr
Pop/gardner
I am the passenger
And I ride and I ride
I ride through the citys backside
I see the stars come out of the sky
Yeah, theyre bright in a hollow sky
You know it looks so good tonight
I am the passenger
I stay under glass
I look through my window so bright
I see the stars come out tonight
I see the bright and hollow sky
Over the citys a rip in the sky
And everything looks good tonight
Singin la la la la la-la-la la
La la la la la-la-la la
La la la la la-la-la la la-la
Get into the car
Well be the passenger
Well ride through the city tonight
See the citys ripped insides
Well see the bright and hollow sky
Well see the stars that shine so bright
The sky was made for us tonight
Oh the passenger
How how he rides
Oh the passenger
He rides and he rides
He looks through his window
What does he see?
He sees the bright and hollow sky
He see the stars come out tonight
He sees the citys ripped backsides
He sees the winding ocean drive
And everything was made for you and me
All of it was made for you and me
cause it just belongs to you and me
So lets take a ride and see whats mine
Singing...
Oh, the passenger
He rides and he rides
He sees things from under glass
He looks through his windows eye
He sees the things he knows are his
He sees the bright and hollow sky
He sees the city asleep at night
He sees the stars are out tonight
And all of it is yours and mine
And all of it is yours and mine
Oh, lets ride and ride and ride and ride...
Singing...
*****
1. To Sheila 2. Ava Adore 3. Perfect 4. Daphne Descends 5. Once Upon A Time 6. Tear 7. Crestfallen 8. Appels + Oranjes 9. Pug 10.The Tale of Dusty and Pistol Pete 11.Annie-Dog 12.Shame 13.Behold! The Night Mare 14.For Martha 15.Blank Page 16.17 |
Release Info: Released on June 1,1998 in the UK and June 2 in North America. The Japan version has an extra track, Once In A While. Released on cd, tape, and double vinyl(also as gatefold-in mono) with new cover art.
Notable Names: All songs written by Billy Corgan. All songs produced by Billy Corgan except: To Sheila, Ava Adore, Perfect, Daphne Descends, Tear, Behold! The Night Mare, and Blank Page, produced by Billy Corgan and Brad Wood. Additional production by Flood. Drums by Matt Walker on To Sheila, Ava Adore, Daphne Descends, Tear, The Tale of Dusty and Pistol Pete, Annie-Dog, and Behold! The Night Mare. Matt Walker appears courtesy of DreamWorks Records. Additional drums by Joey Waronker on Once Upon A Time and Pug. Drums by Matt Cameron on For Martha. Art direction and design by Frank Olinsky, Billy Corgan, and Yelena Yemchuk. Photography by Yelena Yemchuk.
Recorded(When and Where): Mostly recorded in Winter 1998 at Sunset Sound, California but some of it was pieced together from sessions at Village Recorder, Sadlands, Chicago Recording Company, and Battery Sounds. A session at Chicago Trax Recording and Hinge Chicago in Fall 1997 was ultimately scrapped but was eventually incorporated into the album.
Milestones: It debuted at #2 on Billboard in the US and #3 on Soundscan in Canada. In many other countries the album debuted at #1. The "Ava Adore" video went #1 on Muchmusic's charts. The album went platinum in the U.S. and Canada- and sold over 3 million copies worldwide.
Singles: Ava Adore Perfect
Other Info: This is the first album recorded without Jimmy Chamberlain. The first recordings occured after Jimmy Chamberlain was fired in July 1996 but they scrapped those sessions. Here is a real audio clip with the Pumpkins talking about the approach to the album, which is taken from an interview with Jeff Woods for the Rock Radio Network during the Canadian premiere of Adore. Billy also said in that interview that for him it was more about texture, drums don't have to be huge,etc. They played with different guitars and different amps. He said that knowing your gear may be a little limiting. Billy said that 50% people say that say that it's a sad album and 50% say it's a happy album. He thinks that it is more of happy album, but deals with darker themes. The three drummers that were on the album were just called into to due tasks, a lot of the drum tracks were edited. The band said that the absence of Jimmy Chamberlin played a big part on the album. From the Rockline interview on July 13,1998, it was revealed that the pictures in Adore were actually shot in Poland.

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La Grande bouffe (La Grande abbuffata) Réalisé par Marco Ferreri Avec Marcello Mastroianni, Michel Piccoli, Philippe Noiret, Ugo Tognazzi, Andréa Ferréol, Solange Blondeau, Florence Giorgetti, Michèle Alexandre, Monique Chaumette, Bernard Menez Scénario : Marco Ferreri et Rafael Azcona Dialogues : Francis Blanche Musique : Philippe Sarde Photographie : Mario Vulpiani Une production Mara Films - Films 66 - Capitolina Produzioni Cinematografiche France / Italie - 124 mn - 1973 |
| Marcello Mastroianni | ... | Marcello | |
| Michel Piccoli | ... | Michel | |
| Philippe Noiret | ... | Philippe | |
| Ugo Tognazzi | ... | Ugo | |
| Andréa Ferréol | ... | Andrea (as Andréa Ferreol) | |
| Solange Blondeau | ... | Danielle | |
| Florence Giorgetti | ... | Anne | |
| Michèle Alexandre | ... | Nicole | |
| Monique Chaumette | ... | Madeleine | |
| Henri Piccoli | ... | Hector | |
| Maurice Dorléac | |||
| Simon Tchao | |||
| Louis Navarre | ... | Braguti | |
| Bernard Menez | ... | Pierre | |
| Cordelia Piccoli | ... | Barbara |




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