Claudia's profileDancing in the moonlight...PhotosBlogLists Tools Help
Writers:
Marco Ferreri (scenario & adaptation) and
RafaelRelease Date:
1 September 1973 (Sweden) more
Genre:
Comedy / Drama more
Plot Outline:
A group of men hire some prostitutes and go to a villa in the countryside. There, they engage in group sex and resolve to eat themselves to death. more
Plot Keywords:
Surrealism / Satire / Pilot / Anger / Surreal more
Awards:
2 wins & 1 nomination more
User Comments:
A Disturbing, Impressive and Unforgettable Movie more

(Cast overview, first billed only)
 
 

Blog


    February 04

    meses atrás

    Desde hace algunos meses me he dedicado a leer, y también a escribir, pero sobre todo a pensar...a pensar un poco en todas esas cosas tan tipicas y comunes que nos ocupan el día...tratando de pensar el mínimo de tiempo en el amor o el desamor, o el corazón...porque esos temas no traen nada bueno...
    Mejor ocuparse de la vida, de la humanidad, de la guerra, de la crisis, de la política, de las cosas que pasan y que a veces ignoramos por estar pensando en cosas menos importantes...en fin...así como hace tiempo escribí de mi vida por Godard, hoy podría dedicar mi vida a la literatura, que erroneamente no se concidera un arte...sin embargo, lo es..y en mi opinión es aquella que muestra más complejidad y me parece menos eterea..todos lo pueden leer, no hay que moverse para poder conocerla y ....y ....por estos y otros motivos, prefiero vivir con intensidad
     
    May 12

    Una vida por Godard...

    Michel Poiccard (Jean-Paul Belmondo) es un ex-figurante de cine admirador de Bogart que, tras robar un coche en Marsella, mata fortuitamente, y con un revólver que encuentra en la guantera, a un motorista de la policía camino de París. Allí, tras robar dinero a una amiga, va en busca de Patricia (Jean Seberg), una joven burguesa americana, sin ningún remordimiento por lo que ha ocurrido en la carretera. Patricia es una aspirante a escritora que vende el New York Herald Tribune por los Campos Elíseos. Espera escribir en el periódico y matricularse en la Sorbona. En Europa parece haber hallado una libertad que no existe en América. Michel le propone que se vaya con él a Roma a lo que ella se niega. Después de la negativa, Michel va cobrar un cheque a su código postal. Entonces sabemos que la policía le busca por la muerte del motorista. (FILMAFFINITY)
    ----------------------------------------
    Película clave en el despertar de la "Nouvelle Vague" (Nueva Ola) del cine francés, renovador movimiento que tuvo en Godard uno de sus más estimulantes creadores. (FILMAFFINITY)
    ----------------------------------------
    "Sin este pequeño inmenso filme no se entendería nada del cine posterior" (Ángel Fdez. Santos: Diario El País)
    ----------------------------------------

     

    http://voiceover.blogdiario.com/img/aboutdeso.jpeg

     

     

     


    "Godard hizo del descuido virtud, con sus mezclas de planos abstrusos, sus empalmes alocados, sus cortes inoportunos, y eso creó una moda, por suerte refinada después. (...) Algo tendrá el clásico cuando su impronta se deja sentir en la historia del séptimo arte. Sin exagerar." (Carlos Marañón: Cinemanía)
    ----------------------------------------

    January 17

    The best New york city movies

     

     

    18385511

    THE BEST NEW YORK CITY MOVIES

     

    dn

     

    Best New York movies? Fuggeddaboudit -- we got your New York movies right here. There are so many great ones to list that narrowing it down to 10 or 12 seems as criminal as eating your pizza with a knife and fork.

    I'll tell you one thing: Filmmakers like to wreck New York as often as they like to work here. Aside from a brief, post-Sept. 11 lull, New York has been ravaged by a giant ape ("King Kong" -- three times!), asteroids ("When Worlds Collide," "Deep Impact"), aliens ("Independence Day") and other assorted natural and unnatural catastrophes. So if you think some gigantic monster crawling out of the sea to take down Manhattan -- as in the new, J.J. Abrams-produced "Cloverfield" -- is gonna bring this town to its knees, you've got another thing coming.

    New York ain't just about mayhem, although you get plenty of that in Times Square any day of the week. Nope, it's about love, drama, danger, crime, heroism, scams, adventure and breathtaking scenery ... all the good stuff that the best movies are made of.

    Here's a rundown of some of the finest New York movies around, and, believe you me, I tried to overstuff this thing like a Carnegie Deli sandwich. In fact, this could be the start of a series -- we're always working all the angles in this town. Got any complaints about the list? Hey, this is New York -- you know what you can do with 'em.

    15. "Rosemary's Baby"
    We don't know what's more horrifying in "Rosemary's Baby" -- the rent on Guy and Rosemary Woodhouse's Upper West Side apartment, their irritatingly nosy neighbors, or that Rosemary (
    Mia Farrow) is pregnant with Satan's son. We do know that this was perhaps the creepiest and classiest of a long line of New York-based horror movies, where the sense of urban paranoia is often as terrifying as the Devil himself.

    See also: "The Devil's Advocate," "The Seventh Victim," "The Sentinel"

    14. "Escape From New York"
    The poster for this 1981
    John Carpenter yarn -- the head of the Statue of Liberty lying on the ground -- directly influenced a key image from the upcoming "Cloverfield." New York had been blown to smithereens in previous films, but sealing it off and making it the world's biggest prison felt somehow right -- especially after those rough-and-tumble 1970s. Forget that proposed remake: "Escape" remains one of the most clever postapocalyptic New York flicks around.

    See also: "I Am Legend," "Beneath the Planet of the Apes"

    13. "Serpico"
    Being a New York cop is one of the toughest jobs around -- and that's before you even catch any crooks. The saga of the lone officer battling widespread corruption has been told many times, but perhaps not as brilliantly as in the true story of Frank Serpico, with
    Al Pacino giving one of his best performances. Director Sidney Lumet expanded on the same theme in 1981's "Prince of the City" and 1990's "Q & A," but "Serpico" remains the original and most bad-ass.

    See also: "The Seven-Ups," "Prince of the City," "Q & A"

    12. "Working Girl"
    "Let the river run/let all the dreamers wake the nation/Come, the new Jerusalem" -- only New York's working class could inspire a metaphor of Biblical proportions (from Carly Simon's Oscar-winning theme song).
    Melanie Griffith's Tess McGill is the face of female empowerment, battling obstacles at home and work in her armor of shoulder pads and towering hair. Points also for setting the movie partially in Staten Island, the city's most underrepresented borough.

    See also: "The Devil Wears Prada," "Baby Boom"

    11. "Superman"
    Sure it was called Metropolis, but did anyone not think for a minute that Superman lived and worked in New York? Just recall the scene of veteran New York film critic Rex Reed entering the "Daily Planet" (i.e. Daily News) building. Or better yet, think back to Superman (
    Christopher Reeve) and Lois Lane's (Margot Kidder) heart-stopping flight over the city's skyscrapers. This town can fend for itself, thank you, but having a superhero or two around ain't a bad thing either.

    See also: "Spider-Man," "Spider-Man 2"

    10. "West Side Story"
    Although filmed mostly on Los Angeles soundstages, this remains the greatest musical ever made about New York. Many other New York-based musicals focus on Broadway and show business -- "West Side Story" took utterly different issues (ethnic tensions and Upper West Side youth) and grafted the basic plot of "Romeo and Juliet" to them. Add brilliant music, unforgettable choreography and Robert Wise's inspired direction, and the results are pure magic.

    See also: "42nd Street," "All That Jazz"

    9. "Do the Right Thing"
    New York is often called the biggest melting pot in the world, but it's sadly true that once in a while that pot boils over.
    Spike Lee's third film poured all the city's racial tensions into one small Brooklyn block, added heat and stirred. The result was one of the most provocative and controversial films of its time, if only because Lee makes each viewer question his or her own feelings on what "doing the right thing" actually means. Perhaps the best movie about racial relations ever made.

    See also: "Jungle Fever," "The Landlord," "The Siege"

    8. "Wall Street"
    The New York financial industry can bring a person to dizzying heights and crushing lows. Just ask Bud Fox (
    Charlie Sheen), who is corrupted by all that power and money as he works his way into the web of corporate raider Gordon Gekko (Michael Douglas). Director Oliver Stone captured the electricity of the New York Stock Exchange and gave us a peek at how wealth changes hands in the city, where tens of millions of dollars can disappear just like that -- and often do.

    See also: "Glengarry Glen Ross," "Boiler Room"

    7. "Saturday Night Fever"
    Not every great New York movie takes place in Manhattan. In director
    John Badham's 1977 film, Brooklyn boy Tony Manero (John Travolta) and his pals escape their dead-end jobs and lives every weekend by dancing at the local discotheque. The movie put disco, the Bee Gees and Bay Ridge club 2001 Odyssey on the map. For Tony, Manhattan might as well be Mars -- a dream land of opportunity that's just a bridge too far for many in the outer boroughs.

    See also: "A Bronx Tale," "Queens Logic"

    6. "King Kong"
    Yes, only the last 20 or so minutes of the original 1933 "King Kong" take place in New York, but the movie's third act is still the gold standard for a giant beast rampaging through the city streets. Aside from an apocalyptic tidal wave film called "
    Deluge" released the same year, "Kong" was the first in a long line of movies that featured destruction in the streets of New York as a plot point. The final images of Kong climbing the Empire State Building, both haunting and beautiful, elevated the building's iconic stature.

    See also: "The Beast from 20,000 Fathoms," "Q -- The Winged Serpent"

    5. "When Harry Met Sally ..."
    Enough with the crime already! Sure, New York is tough, but it's also got a streak of romance as wide as the Hudson River. To paraphrase the Beatles, I don't know where all the lonely people come from, but a lot of them end up in the Big Apple. Two of them found their way into this 1989
    Rob Reiner comedy in the form of Billy Crystal and Meg Ryan, both at the top of their games. For modern love among neurotic New Yorkers, this one's hard to beat. And New York diners were never the same after the famous "I'll have what she's having" scene.

    See also: "An Affair to Remember," "Breakfast at Tiffany's," "The Goodbye Girl"

    4. "The Godfather" and "The Godfather: Part II"
    The first movie is, of course, a classic look at New York mob life in the 1950s and its infiltration into every aspect of the city, from its wealthiest to its most working-class environs. The second film, with its flashbacks to Don Vito Corleone's early days in Little Italy, is a still-stunning re-creation of the immigrant experience in the United States during the early part of the 20th century. There had been great gangster films before and there were some after, but until "The Godfather" came along, there was no such thing as a gangster epic.

    See also: "Once Upon a Time in America," "King of New York," "The Pope of Greenwich Village"

    3. "The Taking of Pelham One Two Three"
    This funky, edgy, cynical saga of a subway hijacking is another great slice of New York life in the 1970s, embodied by cranky Transit Authority cop
    Walter Matthau, whose daily routine is shot to hell when four men take over a Lexington Avenue train and demand $1 million in ransom. Matthau is dead perfect, and New York's hustle and bustle is effectively captured in Joseph Sargent's no-nonsense direction and David Shire's groovy score. New York's subways have never seemed so ominous, and the city's ongoing dance with crime never so pervasive.

    See also: "The French Connection," "Dog Day Afternoon," "The Warriors"

    2. "Taxi Driver" / "Mean Streets" Mean_Streets_poster
    These are two of
    Martin Scorsese's earliest and best, which set the template for so much that came afterward. "Mean Streets" (1973) was a perfect snapshot of life in Little Italy and the low-level hoodlums trying to make a name there, while "Taxi Driver" caught the alienation, loneliness and danger of New York life in the 1970s. It doesn't get any grittier than these.

    See also: "Goodfellas," "After Hours"

    1. Woody Allen
    So that's not a title, exactly, but has any filmmaker had a longer love affair with New York than Woody? From the early 1970s right up until 2005, nearly every film he shot was set in the city -- or least Woody's idealized version of it. And while 1979's "
    Manhattan" itself might be the obvious choice, that film doesn't feel quite like New York despite its breathtaking opening and closing shots. No, we'll go with "Annie Hall" (1977) and "Hannah and Her Sisters" (1986) -- the former for its attitude (not to mention the compare-and-contrast with Los Angeles) and the latter for its sprawling look at a wonderfully dysfunctional New York family.

    January 02

    La aventura romana

     
    Estabamos solos y en lugar de quedarnos aqui (BCN)a deprimirnos..mejor nos fuimos a Roma..y que aventura..nos paso de todo , nos llevaron a los lugares más extraños  en los peores barrios a las peores horas..pero lo importante es que sobrevivimos!casi chocamos en el barón rojo... la pasamos bien y sobre todo nos REIMOS  hasta no poder más, hasta asustar a la gente...para eso son los viajes no? para conocerse y reirse..cansarse y recorrer lugares nuevos...
     
    Fue un gran viaje..lo volvería a hacer sin duda...aunque pienso que nunca regresaré a Roma, por que nunca será tan divertido como lo fue esta vez:)*
     
     

    Dumb & Dumber@Rome 229

    Giovanni y Lvdovica

     

    Por muchos viajes más karnalebrio....!

     

    November 18

    *Duran Duran*

    228_3
     
     
    *DURAN DURAN*
     
     
     
    En los 80's , cuando reinaba la 'inociencia' o más bien la ignorancia sobre la homosexualidad y los tabúes sociales ..también reinaba Duran Duran , sonido innovador, pegajoso, bailable muy gay, pero conservando un poco de recato por eso de la 'tradicional'cultura gringa...un éxito seguro..así eran los Duran ...hoy queda muy poco de ellos..no es que sean malos, por que el que es creativo es creativo..pero prefiero vivir del recuerdo de sus hoy antiguos hits..'Decade' me ha ayudado disco recopilatorio que en pocas palabras tiene todas las canciones que fueron éxito en los 80'90' ...
     
    Por que la buena música no pasa de moda.
     
    Save a Prayer
     

    "Save a Prayer" was a 1982 hit single for Duran Duran. It was their 6th single, and the third from the platinum album Rio. The soft, seductive ballad reached #2 in the UK Singles Chart, being held off the top spot by Survivor's "Eye of the Tiger".

    The song was not released as a single in the United States (although the video was very popular on MTV), but a live version released from the Arena reached #16 on the Billboard Hot 100 in 1985.

    Duran Duran are an English pop group notable for a long series of popular singles and vivid music videos. They were the most commercially successful of the New Romantic bands and a leading band in the MTV-driven "Second British Invasion" of the United States. During the past three decades they have placed 21 singles in the Billboard Hot 100 and 30 in the Top 40 of the UK Singles Chart, and have sold more than 85 million records.[1]

    The band's hit singles include "Girls on Film", "Rio","Hungry Like the Wolf", "Save a Prayer", "Is There Something I Should Know?", "Planet Earth", "Union of the Snake", "The Reflex", "Wild Boys," "Notorious", and the James Bond theme "A View to a Kill" in the 1980s, "Ordinary World" and "Come Undone" in the early 1990s, and "Sunrise", and "What Happens Tomorrow" in the 2000s.[1] They have won two Grammy Awards for their music videos.

    Duran_duran_live

     
     
     
     
     

    October 10

    tutitour Mexicano

    *~xico~*

     

    Eme- e -acento-equis-i -ce-o

     

    Un mes en México, patria santa, no es suficiente...pero fué genial poder estar con la familia sanguinea y no la urbana a la que también aprecio  inmensamente, de cualquier forma.. estar donde te consienten, te quieren, te cuidan y te conocen...disfrute cada día y cada persecución policiaca, las chelas en la alberca y mis interpretaciones horribles de Hombres G que torturaban a todos,y las de Male de Luis Miguel que tampoco eran muy agradables pero que tenian sentimiento,  a Beto y sus bailes típicos con el sombrero de vaca...el tequila clandestino que consiguió Liz..la caída de Logan en la alberquita:P Aline ahogandose, y a Max que se quita el traje de baño cada vez que puede...

     

    Estos son recuerdos que nunca se olvidarán...el mejor 15 de septiembre que he tenido...agregue pozole y tostadas y el insurgente siempre armado con las SOL...

     

    ¡VIVA MORELOS!

     

    *Por que las mejores fiestas terminan en Azul o en Reyes, pero terminan... acompañados por Paul Van Dyck y sus "Politics of dancing"

     

    Podría ayudarte pero ....ahmmm Que lo hagan ellas ! el bronceador a Luis.

     

    Paulina y su traje mínimo, bueno toda su ropa es mínima.

     

    El trip al pueblo ese con mi mamá los muchos besos de mi amor Jimmy, las canciones de mi Nany.

    Un juego de futbol y muchas risas...Los abuelos, las novelas y el terrible 12 corazones!

    Jessy que risa con el CHILANGOTOUR buscando el Café  Tacuba jaja tu bien enojadita, con las Fridas adoradas, Bellas Artes: si gustan les puedo dar un tour por el museo...

    Y la golfa de Grecia...bueno ella es así....el reencuentro con los galanes wannabe, Morrissey en Tijuana_(el infierno).

     

    Una nueva amiga, muchos tacos, tortas y tostadas...

     

    Ahora el reecuento de los daños, dificil de calcular, por lo mientras 8 kg de más...dieta rigurosa y mucha agua, gripe, tos de perro pero sobre todo miles de recuerdos.... 

     

    August 17

    Morrissey: RINGLEADER OF THE TORMENTORS

    ~*MORRISSEY*~

     
    En un mundo lleno e Indie..(que me perdonarán pero solo sirve para musicalizar Zara en temporada de rebajas)....-gracias a Dios- también existe ~*Morrissey*~, su maravillosa música que nos hace pensar en lo malo del mundo y lo bueno de nosotros ...el soudtrack de mis días se puede  resumir en el ringleader of the tormentors..una música que me lleva a olvidar lo que pasa .....ese acento, esos ojos es simplemente un ser ideal ...Morrissey odiado por muchos y amado por todos demás que no lo odian...How soon is now? puede ser, pero ahora es tiempo de You have killed me que lleva en mi cabeza ya muchos días.....as I live and breathe you have killed me.....
     
     

    ~YOU HAVE KILLED ME ~

    Pasolini is me
    'Accattone' you'll be
    I entered nothing and nothing entered me
    'Til you came with the key
    And you did your best but

    As I live and breathe
    You have killed me
    You have killed me
    Yes I walk around somehow
    But you have killed me
    You have killed me

    Piazza Cavour, what's my life for?

    Visconti is me
    Magnani you'll never be
    I entered nothing and nothing entered me
    'Til you came with the key
    And you did your best but

    As I live and breathe
    You have killed me
    You have killed me
    Yes, I walk around somehow
    But you have killed me
    You have killed me

    Who am I that I come to be here?..

    As I live and breathe
    You have killed me
    You have killed me
    Yes I walk around somehow
    But you have killed me
    You have killed me

    And there is no point saying this again
    There is no point saying this again
    But I forgive you, I forgive you
    Always I do forgive you

        

     

     

     

    Morrissey - Suedehead Video

       

    July 18

    cuando

    Cuando hacemos algo que no queríamos hacer, pero que acabamos haciendo....
     
     
    May 20

    amorEs PerrOS

    dESPUES DE TANTO RESISTIRME, ME CONQUISTARON....Si los amores perros me convencieron y ahora solo que queda comentar, Iñarritu merecía un Oscar, y Gael uff que hombre tan bello!!!! la historia o historias todas geniales, el Cofi se parece a mi gordito Jimmy y eso me encanta....Geniales y el soudtrack no podía ser más perfecto Control Machete rules!!!! y la Julieta bueno geniales todas las rolitas !!
     
    que pasaría si nunca muero?
     
    Ciudad de mexico, un fatal accidente automovilístico. Tres vidas chocan entre sí y nos revelan lo perro de la naturaleza humana.

    Octavio, un joven adolescente, decide fugarse con Susana, la esposa de su hermano.
    el Cofi, su perro, se convierte en un cruel vehículo para conseguir el dinero necesario para poder escapar juntos, complicando aún más un conmovedor triángulo pasional en donde el amor clandestino se convierte en un camino sin retorno.
     
     
     
     
     

     
     
     

    Reparto:

    Emilio Echevarría

    ....

    El Chivo

    Gael García Bernal

    ....

    Octavio

    Goya Toledo

    ....

    Valeria Maya

    Álvaro Guerrero

    ....

    Daniel

    Vanessa Bauche

    ....

    Susana

    Jorge Salinas

    ....

    Luis Miranda Solares

    Marco Pérez

    ....

    Ramiro

    Rodrigo Murray

    ....

    Gustavo

    Humberto Busto

    ....

    Jorge

    Gerardo Campbell

    ....

    Mauricio

    Rosa María Bianchi

    ....

    tía Luisa

    Dunia Saldívar

    ....

    mamá de Susana

    Adriana Barraza

    ....

    mamá de Octavio

    José Sefami

    ....

    Leonardo

    Lourdes Echevarría

    ....

    Maru

    Laura Almela

    ....

    Julieta

    Ricardo Dalmacci

    ....

    Andrés Salgado

    Gustavo Sánchez Parra

    ....

    Jarocho

    Dagoberto Gama

    ....

    Álvaro

    Gustavo Muñoz

    ....

    El Chispas

    Carlos Bernal

    ....

    Javier

    Rodrigo Obstab

    ....

    El Jaibo

    Edgar González

    ....

    Rodrigo, bebé de Susana

    Hilda González

    ....

    cajera

    Patricio Castillo

    ....

    doctor

    Roberto Medina

    ....

    conductor de televisión

    Ángeles Marín

    ....

    conductora de televisión

    Ana María González

    ....

    enfermera

    Carlos Samperio

    ....

    hombre del "deshuesadero"

    T. Kazuyo Togawa

    ....

    señora gorda

    Adriana Varone

    ....

    amante de Luis

    Bruno Salgado

    ....

    El Champignon

    Adriana Islas

    ....

    Lina

    Regina Abad

    ....

    Jimena

    Leoncio Torres

    ....

    El Pelón

    Luisa Geliz

    ....

    secretaria de Daniel

    Jean-Paul Bierry

    ....

    hombre en la junta

    Alma Rocío González

    ....

    mujer en la junta

    Mauricio Martínez

    ....

    judicial

    Juan Manuel Ramos

    ....

    policía

    Ernesto Bog

    ....

    hombre 1

    José Luis Barraza

    ....

    hombre 2

    Jorge Arellano

    ....

    niño cuidador 1

    Jonathan Herrera

    ....

    niño cuidador 2

    Heriberto Castillo

    ....

    extraño


    Sinopsis:
    Ciudad de México en el amanecer de un nuevo siglo. Un terrible accidente automovilístico se convierte en el punto de encuentro de tres "amores perros". Octavio, un joven adolescente enamorado de su cuñada, ha transformado a su perro "Cofi" en una mortífera arma con la que desea escapar de su miseria amorosa. Valeria, una hermosa modelo, ve truncada su carrera y su nueva vida al lado de Daniel, mientras su pequeño perro "Richi" queda atrapado, como ella, en los estrechos límites de su departamento. Por su parte el taciturno Chivo, un ex-guerrillero que no puede acercarse a la hija que algún día abandonó, sublima su necesidad de amor recogiendo perros en la calle. Ninguno de ellos volverá a ser el mismo después del accidente. Todos, incluyendo a los perros, encontrarán un destino muy distinto al que algún día imaginaron.

    Comentario:
    En muy poco tiempo, el debut cinematográfico del popular productor radiofónico Alejandro González Iñárritu ha llegado a convertirse en una de las cintas clave del cine mexicano contemporáneo. El que su estreno coincidiera con los trascendentes cambios políticos experimentados por nuestro país durante el 2000, agregó a Amores perros un significado peculiar de renovación y esperanza, palpable en la entusiasta recepción que el público mexicano ha tributado a esta película.

    Decenas de premios y nominaciones, entre ellos la muy celebrada nominación al Oscar de Hollywood a la mejor película en lengua no inglesa, confirman la calidad del proyecto emprendido por González Iñárritu y sus colaboradores, particularmente el escritor y guionista Guillermo Arriaga. La historia de Octavio, Valeria, el Chivo y los demás personajes de Amores perros ha cautivado a críticos y espectadores por igual, quienes no han dudado en compararla favorablemente con las historias filmadas por Tarantino y Kieslowski.

    ¿Significa esto que, como el país, el cine mexicano ha ingresado a una nueva etapa de su historia? Es probable que aún sea muy pronto como para echar las campanas al vuelo, pero es evidente que existen personas empeñadas en lograr que el cine mexicano recupere, al menos, la confianza de un público que había desconfiado de él durante muchos años.

    El éxito de Amores perros confirma la importancia de que las nuevas compañías cinematográficas privadas participen en la reconstrucción de la industria del cine en México. Durante la década pasada, los esfuerzos llevados a cabo por el IMCINE para evitar la extinción de nuestra cinematografía lograron convencer a muchos de que el cine podía seguir siendo uno de los productos más importantes de la oferta cultural mexicana. En la actualidad, empresas como Altavista Films, Argos Cine, Tabasco Films y Titán Producciones, entre otras, han respondido al reto que significa hacer un cine con calidad y atractivo comercial.

    Mientras tanto, Amores perros ha logrado convertirse en el fenómeno fílmico del cine mexicano de este nuevo siglo, y en la película que pondrá a prueba la calidad y aceptación de las futuras producciones cinematográficas de nuestro país.

     
     
     el soudtrack!!!!!de 10
     
     
    May 08

    no tiene título

     
    No acostumbro publicar mis cuentos de hecho no acostumbro publ¡carme at all, será que no soporto las críticas.
    Pues este es más o menos mi estilo, no invento nada nuevo soy más bien una copia light de Borges meet Márquez (y etc...) que por cierto no me dejaron nada por escribir.

    Como datos curiosos: Extrañamente tiendo a escribir en figura masculina y nunca termino los relatos, no se que pasa con los personajes cuando salen por las puertas será por eso que tampoco veo el final de las películas?


    Aquella mañana me di cuenta de que nada sería lo mismo, la deje como siempre hablando sola, pero en mi mente sabía que no la volvería a ver, es fácil desaparecer de la vida de alguien solo un poco de lejanía, cambiarse el nombre y listo nadie tiene por que saber quien eres y por que estás ahí. Eso ya lo había pensado muchas veces, de hecho lo pensé desde la que la conocí, si, si, después de intercambiar palabras y miradas de complicidad me vino a la mente: tú podrías desaparecer de su vida en un momento y nunca más sabría nada de ti. Creo que me casé con ella por ese motivo sabiendo que cuando me placiera podría dejarla y olvidarme de aquel momento de mi vida que no sería del todo malo pero que posiblemente como todo en la vida me cansaría tarde o temprano...
     
     
     
    May 01

    12 monkeys

    mmm 12 monkeys..es una excelente película, todo encaja perfecto y tiene un super montaje de alucine, me encanta la luz y la estética de toda la cinta , los actores son geniales..pero ...no entendí el final quien es el niño?¿?¿ es Bruce o que ?¿ es que de verdad no en este sillón habíamos 2 personas y ninguna de las 2 comprendió esa parte...pero bueno, la peli es genial y veanla acompañados aunque no es garantía de que alguien la entienda....
     
     
     

    Twelve Monkeys

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    Twelve Monkeys

    Twelve Monkeys movie poster
    Directed by Terry Gilliam
    Produced by Charles Roven,
    Lloyd Phillips
    Written by David Webb Peoples,
    Janet Peoples
    Starring Bruce Willis
    Madeleine Stowe
    Brad Pitt
    Music by Paul Buckmaster
    Cinematography Roger Pratt
    Editing by Mick Audsley
    Distributed by Universal Pictures (USA)
    PolyGram Filmed Entertainment (UK)
    Release date(s) December 27th, 1995 (USA)
    Running time 129 min
    Country United States
    Language English
    Budget $29,000,000 (estimated)
    All Movie Guide profile
    IMDb profile

    Twelve Monkeys is a 1995 science fiction film written by David and Janet Peoples and directed by Terry Gilliam. The movie deals with time travel and memory and is inspired by the French short film La Jetée. The film stars Bruce Willis, Madeleine Stowe, and Brad Pitt.

    Contents

    [hide]

    [edit] Synopsis

    Bruce Willis stars as James Cole, a convict in a post-apocalyptic future who is plagued by a vivid, recurring dream of a man being shot in an airport. Humans are forced to live underground, sealed from a surface contaminated with a virus that killed most of the human species in 19961997. The disease is believed to have arisen as an act of bioterrorism by a mysterious group calling itself "The Army of the Twelve Monkeys."

    The movie has an unusual narrative style. Stowe plays a skilled psychiatrist and Pitt, in an Oscar-nominated performance, plays Jeffrey Goines, a very mentally unstable man who crosses paths with Cole on several occasions.

    Spoiler warning: Plot and/or ending details follow.

    As a convict, Cole is forced to "volunteer" for dangerous missions to the surface in a biohazard suit, exploring a deserted Philadelphia for biological specimens. The abandoned city is now inhabited by wild animals. Almost all of humanity has been wiped out by an incurable virus, with the few survivors living in a wretched and tyrannical society deep underground. Cole proves to be a careful observer with excellent memory and is "volunteered" to participate in a more ambitious branch of the program.

    The scientists of the future have invented a crude method of time travel. Travelers cannot be sure of the exact time and place to which they are sent, and they are badly disoriented after arriving at the past and upon their return. Cole and other convicts are sent back in time to discover the origin of the virus and retrieve samples. The scientists wish to study the virus in its unmutated form to enable them to produce a cure. The time travelers are asked to leave voice mail messages at a phone number monitored by the scientists in the future.

    The scientists initially attempt to send Cole back to October 1996, a few weeks before the outbreak of the disease. He appears in Baltimore in April 1990 and is arrested after a violent encounter with police. Due to his incoherent story, Cole is institutionalized at a psychiatric facility, and placed under the care of Dr. Kathryn Railly (Stowe) who strongly feels as though she has seen Cole before. There Cole meets Jeffrey Goines (Pitt), a deranged animal rights and anti-consumerism activist. When Cole is interviewed by Railly and other doctors, he desperately attempts to warn them of the impending catastrophe and inquires about the Army of the Twelve Monkeys. He is grudgingly permitted to call the scientists' phone number, but discovers no voice mailbox.

    Goines helps Cole escape the ward by providing a key and creating a major disturbance, but Cole is quickly recaptured and placed in restraints in an isolation room with no obvious possibility of escape. Cole is then returned to the future, disappearing from his locked room, and baffling Railly and the institution's authorities.

    After returning to the future, Cole is interviewed by the scientists. They play a voice mail message giving the Army of the Twelve Monkeys location, saying "They're the ones that did it", but Cole denies having left that message. The scientists also show him a series of photographs from the outbreak time-period to see if any of the images are familiar to Cole from his experiences in 1990. Among the photographs is a picture of Goines at the head of a rally.

    Throughout the film, Cole has recurring dreams involving a man in a ponytail running through an airport, another man in a mustache and long brown hair chasing him and being shot, and a blonde woman chasing after them and screaming. The dream varies with each instance, with the ponytail man resembling Goines in one instance.

    In a second attempt to send Cole back to 1996, assured that "this time" they would get him to the correct destination, he arrives briefly in the middle of a World War I battle. He encounters Jose, a fellow inmate, who has also been sent to the past. Cole is shot in the leg while reaching toward a wounded Jose, and a moment later is propelled forward in time to the original target date, November, 1996.

    Between 1990 and 1996, Dr. Railly has taken an interest in the Cassandra Syndrome. She publishes a book on the topic, citing examples of unheeded prophecies of doom dating back to the 14th century. Cole finds a poster announcing one of her lectures, and after a book-signing session, kidnaps her to aid him in finding the Army of the Twelve Monkeys. She continues to believe that Cole is delusional, and realizes from media accounts that she and Cole are the subject of a massive manhunt. However, she ignores several opportunities to escape, and begins to assist Cole in his quest. She even removes the WWI bullet from his leg when he informs her that he has been shot.

    Also prominent in the news at the time is the story of a boy in Fresno, California who is trapped in a well. Cole tells Railly that he remembers coverage of that story from when he was a child and reveals to her that the whole thing is a prank, and the boy is really hiding in a barn.

    Cole uses his photographic memory of the pictures he was shown by the scientists to locate the office of a bunch of well-meaning but ultimately ineffectual young animal rights activists who promote their ideas through leafleting and legal protests. Cole is sure he has found the source of the outbreak, not only because Goines is in charge of the organization but also because Goines' father is a famous virologist with access to deadly biological agents. Goines, however, became disenchanted with legal protest and formed a splinter group of twelve activists, The Army of the Twelve Monkeys, who plan more direct action such as freeing animals from zoos and research facilities. However, Goines quit the group to work at his father's lab, saying that he would personally oversee any animal testing there to insure humane treatment.

    Cole and Railly track Goines to a conference at his father's mansion. Cole enters the mansion and attempts to question Goines about the origin of the virus. Goines suggests that releasing a worldwide pandemic was an idea Cole originally broached at the psychiatric facility in 1990. Cole is highly disturbed by the possibility that he was partially responsible for the pandemic and begins to embrace Railly's theory that he is delusional and has created the virus and the time-traveling story in his head. As police and dogs from the mansion approach, Railly pleads with Cole to turn himself in. Cole vanishes suddenly, leaving a surprised Railly to explain her captivity and subsequent flight to disbelieving detectives.

    The detectives show further doubt in Railly's story when an analyst confirms that the bullet she removed from Cole's leg dates back to World War I. This revelation, along with the confirmation in the news that the boy in Fresno had actually been hiding in a nearby barn, causes Railly to have her own doubts. She searches through a series of WWI photographs. Jose had earned a footnote in history books as a shell shocked soldier whose hysteria had caused him to "forget" the French language entirely, replaced by an unrecognizable dialect of English. Featured in the background of a picture of Jose was Cole, reaching out to him. Now convinced that Cole's story is true, Railly returns to the office of the animal-rights activists to ask them more questions.

    After returning to the future, Cole is congratulated by the scientists for bringing back vital information that will help them retake the the surface of the planet. However, Cole now believes his future experiences are hallucinations and longs to return to 1996 and be with Railly. He persuades the scientists to send him on a third mission back in time. Back in Philadelphia in 1996, he finds Railly at the animal-rights activists' office, and admits to her that he is crazy. Convinced that he is not, she calls the scientists' voice mail number, and leaves a message with what she thinks is a carpet cleaning company. When she recites her message to Cole later, they realize that it matches, verbatim, the message the scientists played for Cole prior to his second mission, and they both know that the coming plague is real. They put on disguises (Cole with a mustache and a long brown wig, and Railly in a blonde wig) and make plans to fly to Key West to avoid the virus.

    After Goines' splinter group frees the animals from the Philadelphia Zoo, they leave spray painted messages around the city indicating that the Army of the Twelve Monkeys "Did It", leading the future scientists to incorrectly attribute the release of the virus to Goines and his "Twelve Monkeys". Railly and Cole are momentarily heartened to discover the Twelve Monkeys' plot had nothing to do with the epidemic.

    Cole, now in love with Railly and the music and open air of the pre-infection world, decides that he has done his duty to the future. At the airport, he leaves a last message telling the scientists they are on the wrong track following the Army of the Twelve Monkeys, and that he will not return to his own time. Railly sees Dr. Peters at the airport and after glancing at a newspaper picture, recognizes him as the elder Goines' assistant. She is horrified by the realization that he intends to carry the unmutated virus to every city where the disease is known to have originated. Simultaneously, Cole is confronted by Jose who, based on Cole's message, has been sent to the airport. He provides Cole with a gun just as Railly informs Cole that Dr. Peters is the culprit. After a scuffle and argument with security, Cole is fatally shot by police as he pulls the gun to stop Peters from boarding his plane. As Cole dies in Railly's arms, she returns the sad, steady gaze of a small boy. The young James Cole is witnessing his own death, the scene that will replay in his dreams in years to come.

    Dr. Peters hurries away from the security area during the shooting and is able to board the plane. Seated next to Peters is the lead scientist from the future (Carol Florence). She introduces herself after some small talk with Peters: "Jones is my name. — I'm in insurance."

     

    April 30

    I' M THE PASSENGER

    The Passenger (song)

    From Wikipedia, the free encyclopedia

    Jump to: navigation, search

    "The Passenger" is a song by proto-punk artist Iggy Pop. This song was first released on the Lust for Life album in 1977; it was also released as the B-side of the album's only single, "Success".

    The lyrics, written by Iggy Pop allegedly aboard Berlin's S-Bahn, have been interpreted as embodying the nomadic spirit of the punk outcast. The music was written by guitarist Ricky Gardiner. Whilst possessed of a distinctive riff, "The Passenger" is perhaps most recognizable by its chorus of repeated "la-la" scatting on which David Bowie originally sang backup.

    In 1998 the song was released as a single in the UK after being used in a TV commercial for Toyota Avensis. The single peaked at number twenty-two.

    Guinness used the song for a television advertisement featuring an airplane flying through a pint-glass-shaped valley with clouds representing the beer's foamy head.

    tHE PASSENGEr

     

    Pop/gardner

    I am the passenger
    And I ride and I ride
    I ride through the citys backside
    I see the stars come out of the sky
    Yeah, theyre bright in a hollow sky
    You know it looks so good tonight
    I am the passenger
    I stay under glass
    I look through my window so bright
    I see the stars come out tonight
    I see the bright and hollow sky
    Over the citys a rip in the sky
    And everything looks good tonight
    Singin la la la la la-la-la la
    La la la la la-la-la la
    La la la la la-la-la la la-la
    Get into the car
    Well be the passenger
    Well ride through the city tonight
    See the citys ripped insides
    Well see the bright and hollow sky
    Well see the stars that shine so bright
    The sky was made for us tonight
    Oh the passenger
    How how he rides
    Oh the passenger
    He rides and he rides
    He looks through his window
    What does he see?
    He sees the bright and hollow sky
    He see the stars come out tonight
    He sees the citys ripped backsides
    He sees the winding ocean drive
    And everything was made for you and me
    All of it was made for you and me
    cause it just belongs to you and me
    So lets take a ride and see whats mine
    Singing...
    Oh, the passenger
    He rides and he rides
    He sees things from under glass
    He looks through his windows eye
    He sees the things he knows are his
    He sees the bright and hollow sky
    He sees the city asleep at night
    He sees the stars are out tonight
    And all of it is yours and mine
    And all of it is yours and mine
    Oh, lets ride and ride and ride and ride...
    Singing...

     

     

     

     

     

     

    The Birds

    The Birds de MR. HITCHCOCK es una pieza invaluable del cine, humor, terror y excalentes actuaciones además de interesantes montajes hechos a la antigua pero que igual te dan cus cus..además no tiene música....XD genial simplemente perfecta...
    YO Y MI CINE DEL 60'
     
     The Birds (1963)
    User Rating: 7.8/10 (29,695 votes)
    Photo Gallery (see all 17 photos)


    Writers:
    Daphne Du Maurier (story)
    Evan Hunter (screenplay)
    Release Date:
    7 December 1963 (Spain) more
    Tagline:
    Suspense and shock beyond anything you have seen or imagined! more
    Plot Outline:
    A wealthy San Francisco playgirl pursues a potential boyfriend to a small Northern California town which slowly takes a turn when birds of all kinds suddenly begin to attack people there, in increasing numbers and with increasing viciousness. more
    Awards:
    Nominated for Oscar. Another 2 wins & 3 nominations more
    User Comments:
    Tippi Feathers With Mother more
     


    Also Known As:
    Alfred Hitchcock's The Birds (UK) (complete title)
    more
    Runtime:
    119 min
    Country:
    USA
    Language:
    English
    Color:
    Color (Technicolor)
    Aspect Ratio:
    1.85 : 1 more
    Sound Mix:
    Mono (Westrex Recording System)
    Certification:
    UK:X (1963) / Finland:K-16 (cut) (1963) / Finland:K-15 (uncut) (2002) (DVD) / UK:15 (1987) / Australia:M (TV rating) / Canada:PG (Manitoba) / Canada:13+ (Quebec) / Spain:T / Portugal:M/12 / Argentina:13 / Australia:PG / Chile:14 / France:-12 / Netherlands:12 / Norway:16 (1976) / Norway:18 / Peru:14 / Sweden:15 / USA:Approved (original rating) / USA:PG-13 (1984 re-release) / West Germany:16 / Singapore:PG / Iceland:16
    MOVIEmeter: ?
    V 1% since last week why?

    Fun Stuff
    Trivia:
    As Tippi Hedren walks to the pet shop, a man passes her on the street and wolf whistles. This is an inside joke because Tippi was discovered from a diet drink advert where the same thing happened. more
    Goofs:
    Audio/visual unsynchronized: When Melanie is driving to Bodega Bay, her car is heard accelerating, but her foot is flat on the floor, not on the pedal. more
    Quotes:
    Melanie Daniels: Just what is it you're looking for, sir?
    Mitch Brenner: Lovebirds.
    Melanie Daniels: Lovebirds, sir?
    Mitch Brenner: Yes. I understand there are different varieties. Is that true?
    Melanie Daniels: Oh yes, there are.
    Mitch Brenner: Well, uh, these are for my sister, for her birthday, see, and uh, as she's only gonna be eleven, I, I wouldn't want a pair of birds that were... too demonstrative.
    Melanie Daniels: I understand completely.
    Mitch Brenner: At the same time, I wouldn't want them to be too aloof, either.
    Melanie Daniels: No, of course not.
    Mitch Brenner: Do you happen to have a pair of birds that are... just friendly?
    more
     
     
    Seems silly to give a 10 to "The Birds" what can I give to "Notorius" then? Or "Rear Window"? A 20? It doesn't matter, a 10 shouldn't mean the best but one of the best. Best as in degrees of enjoyment, best as in time of enjoyment, 10 for the kind of enjoyment. "The Birds" is a ten for all of the above. Hitchcock's world varied consistently, it depended very much on his travelling companions. Writers first and foremost then composers. There is no music in "The Birds" so most of my questions are directed to the eclectic Evan Hunter who dissected Daphne de Maurier's original story and transformed it into something that not even Hitchcock had attempted before. A lyrically surreal horror soap opera kind of thing. It visits many of Hitchcock's obsession's of course, an icy blond and a castrating mother. Tippi Hedren follows a long line of Hitchcock blonds, from Madeline Carroll and Ingrid Bergman to Grace Kelly, Kim Novak, Janet Leigh, Eva Marie Saint and Doris Day as Jessica Tandy follows Madame Constantin, Jesse Royce Landis and Louise Latham not to mention Mrs. Bates. Evan Hunter was behind films like Richard Brooks's "Blackboard Jungle" and a semi forgotten gem Frank Perry's "Last Summer" As well as having Akira Kurosawa based his film noir "The Ransom" on one of his novels. Here, he follows Hitchcock's needs with religious reverence and at the same time comes out with something quite unique. I love the light weightiness of the heaviness. I've always loved the daringness of the pacing. The car trip to to Bodega Bay or the long shots of Jessica Tandy's truck driving away in horror from the farm. This movie is also a reminder to the filmmakers, depending in special effects, that effects tend to age a movie far too fast. The effects should be at the service of the characters and not the other way round. Rod Taylor, a charming, versatile matinée idol with a brain and the scrumptious Suzanne Pleshette ad to the many pleasures this 10 of a film will keep in store for generations to come.

     

     

     

     

     

    April 24

    Mi San jordi.

     
     
    hE PASADO MI PRIMER san Jordi en BCN...la paasese genial! estuve con la bEA Y OTROS BADALONOS, OSEA EL FERRAN Y LA HELENA HECHANDO LA HUEVA EN EL PARQUE DE LA CIUDADELLA estuvo chido tomamos fotos comimos en un Fresco a.c. a pesar de que el Ferran quería japones...ya sèrá `para otra ADEMAs de esos días nos quedan muchos. qUE YA VIENne el VeranO...LÁStima que el trabajo de la bEA apesta y no tiene días libres....
     
     
     
    Bueno la verdadera historia del día de San Jordi es esta:    
     
     
     

    Rosemary's Baby (1968)

    *****

    No es una película de terror, es LA PELICULA de TERROR , considerada como la mejor y la primera que incluye al devil  y a las sectas diabólicas en el cine..
    ¡¡¡ES COMPLETAMENTE ATERRADORA!!!
    Además es la primera pelicula de MR.ROMAN POLANSKI..es sin duda una joya del cine de miedo. con Mia Farrou haciendo una de sus mejores interpretaciones..Rosemary's baby es simplemente la fusión de dos talentos en el tiempo perfecto con la historia perfecta...
                                                                                
    Mia+Polanski= un clásico del cine ...
     
    (No cometan el error de verla solos como lo hice yo.....)
     
     

     

    April 10

    to cool...zephyr song

     
     
     
    Can I get your hand to write on
    Just a piece of lead to bite on
    What am I to fly my kite on
    Do you want to flash your light on
    Take a look its on display - for you
    Coming down no not today

    Did you meet your fortune teller
    Get it off with no propellor
    Do it up its always stellar
    What a way to finally smell her
    Pick it up its not to strong - for you
    Take a piece and pass it on

    Fly away on my zephyr
    I feel it more then ever
    And in this perfect weather
    Well find a place together
    Fly on my wing

    Riddlin on liberator
    Find a way to be a skater
    Rev it up to levitator
    Super mainly aviator
    Take a look its on display - for you
    Coming down no not today

    Fly away on my zephyr
    I feel it more then ever
    And in this perfect weather
    Well find a place together
    In the water where the scent of my emotion
    All the world will pass me by
    Fly away on my zephyr
    Well find a place together

    Whoa whoa whoa whoa whoa whoa - do you
    Yeah yeah yeah yeah yeah yeah
    Whoa whoa whoa whoa whoa whoa - wont you
    Yeah yeah yeah yeah yeah yeah

    Fly away on my zephyr
    I feel it more then ever
    And in this perfect weather
    Well find a place together

    In the water where the scent of my emotion
    All the world will pass me by
    Fly away on my zephyr
    Were gonna live forever
    Forever
    April 09

    i adore

    1. To Sheila
    2. Ava Adore
    3. Perfect
    4. Daphne Descends
    5. Once Upon A Time
    6. Tear
    7. Crestfallen
    8. Appels + Oranjes
    9. Pug
    10.The Tale of Dusty and Pistol Pete
    11.Annie-Dog
    12.Shame
    13.Behold! The Night Mare
    14.For Martha
    15.Blank Page
    16.17
    Release Info:
    Released on June 1,1998 in the UK and June 2 in North America.  The Japan version has an
    extra track, Once In A While. Released on cd, tape, and double vinyl(also as gatefold-in 
    mono) with new cover art.
    Notable Names:
    All songs written by Billy Corgan.  All songs produced by Billy Corgan except: To Sheila,
    Ava Adore, Perfect, Daphne Descends, Tear, Behold! The Night Mare, and Blank Page,
    produced by Billy Corgan and Brad Wood.  Additional production by Flood.  Drums by Matt
    Walker on To Sheila, Ava Adore, Daphne Descends, Tear, The Tale of Dusty and Pistol
    Pete, Annie-Dog, and Behold! The Night Mare.  Matt Walker appears courtesy of
    DreamWorks Records.  Additional drums by Joey Waronker on Once Upon A Time and Pug.
    Drums by Matt Cameron on For Martha.  Art direction and design by Frank Olinsky, Billy
    Corgan, and Yelena Yemchuk.  Photography by Yelena Yemchuk.
    Recorded(When and Where):
    Mostly recorded in Winter 1998 at Sunset Sound, California but some of it was pieced
    together from sessions at Village Recorder, Sadlands, Chicago Recording Company, and 
    Battery Sounds.  A session at Chicago Trax Recording and Hinge Chicago in Fall 1997 was
    ultimately scrapped but was eventually incorporated into the album.
    Milestones:
    It debuted at #2 on Billboard in the US and #3 on Soundscan in Canada.  In many other
    countries the album debuted at #1.  The "Ava Adore" video went #1 on Muchmusic's
    charts. The album went platinum in the U.S. and Canada- and sold over 3 million copies
    worldwide.
    Singles:
    Ava Adore
    Perfect
    Other Info:
    This is the first album recorded without Jimmy Chamberlain. The first recordings occured
    after Jimmy Chamberlain was fired in July 1996 but they scrapped those sessions.  Here is
    a real audio clip with the Pumpkins talking about the approach to the album, which is taken
    from an interview with Jeff Woods for the Rock Radio Network during the Canadian
    premiere of Adore.  Billy also said in that interview that for him it was more about texture,
    drums don't have to be huge,etc.  They played with different guitars and different amps. 
    He said that knowing your gear may be a little limiting.  Billy said that 50% people say that
    say that it's a sad album and 50% say it's a happy album.  He thinks that it is more of 
    happy album, but deals with darker themes.  The three drummers that were on the album
    were just called into to due tasks, a lot of the drum tracks were edited.  The band said
    that the absence of Jimmy Chamberlin played a big part on the album.  From the Rockline
    interview on July 13,1998, it was revealed that the pictures in Adore were actually shot in
    Poland.
    April 08

    La Grande Bouffe

    Quatre amis, Marcello, pilote de ligne, Ugo, restaurateur, Michel, réalisateur à la télévision, et Philippe, juge, ont décidé de mettre fin à leurs jours en se gavant à mort. Marcello insiste au début pour que des prostituées se joignent à leurs bacchanales. Mais celles-ci, dégoûtées et épuisées, s'éclipsent bientôt... à l'exception de l'opulente Andréa...
    La Grande bouffe
    (La Grande abbuffata)
    Réalisé
    par Marco Ferreri
    Avec Marcello Mastroianni, Michel Piccoli, Philippe Noiret, Ugo Tognazzi, Andréa Ferréol, Solange Blondeau, Florence Giorgetti, Michèle Alexandre, Monique Chaumette, Bernard Menez
    Scénario : Marco Ferreri et Rafael Azcona
    Dialogues : Francis Blanche
    Musique : Philippe Sarde
    Photographie : Mario Vulpiani
    Une production Mara Films - Films 66 - Capitolina Produzioni Cinematografiche
    France / Italie - 124 mn - 1973
    Director:
    Marco Ferreri

     
    Marcello Mastroianni ... Marcello
    Michel Piccoli ... Michel
    Philippe Noiret ... Philippe
    Ugo Tognazzi ... Ugo
    Andréa Ferréol ... Andrea (as Andréa Ferreol)
    Solange Blondeau ... Danielle
    Florence Giorgetti ... Anne
    Michèle Alexandre ... Nicole
    Monique Chaumette ... Madeleine
    Henri Piccoli ... Hector
    Maurice Dorléac
    Simon Tchao
    Louis Navarre ... Braguti
    Bernard Menez ... Pierre
    Cordelia Piccoli ... Barbara
    more

    Additional Details

    Also Known As:
    Blow-Out (UK)
    Grande abbuffata, La
    The Grande Bouffe (USA)
    more
    MPAA:
    Rated NC-17 for some explicit sexuality.
    Runtime:
    130 min
    Country:
    France / Italy
    Language:
    French / Italian
    Color:
    Color (Eastmancolor)
    Aspect Ratio:
    1.66 : 1 more
    Sound Mix:
    Mono
    Certification:
    Germany:18 (original rating) / New Zealand:R18 (re-rating) / New Zealand:(Banned) (original rating) / Australia:MA (TV rating) / Germany:16 (re-rating) / Argentina:18 / Australia:R / Finland:K-18 / France:-16 / Norway:18 / Portugal:(Banned) (1973-1974) / Sweden:15 / UK:18 / USA:NC-17 (re-rating) (1998) / USA:X / France:-12 (re-rating)
    MOVIEmeter:
    ^ 8% since last week why?
    Company:
    Mara Films more


     

    cAPE FEAR...

     
     Cape Fear (1991) Movie Review


    Cape Fear was originally made in 1962, but was redone in 1991 by Martin Scorsese. Supposedly, Scorsese agreed to do the project since it would make money for the studios and give him more power to make the films that he wanted to make. Scorsese's treatment of the film is much different than the original, and definitely more dark and sinister.

    Robert De Niro plays the lead role of Max Cady in one of his creepiest roles in film. Nick Nolte plays lawyer Sam Bowden, a role that was given to Gregory Peck in the original film. His wife, Leigh, is played by Jessica Lange and his daughter, Danielle, is played by Juliette Lewis. Gregory Peck even makes an interesting cameo in the film as Max Cady's bible thumping lawyer.



    At the beginning of the film, Cady is being released from prison after serving fourteen years for rape. Bowden was his attorney for the trial and withheld important evidence since he knew that he was guilty. As a result, Cady is very bitter and seeks to exert revenge on his former attorney.

    Bowden's family life is in pretty bad shape at the beginning of the film. He is in the middle of an affair, and his wife seems unsatisfied. His daughter is on the verge of puberty and therefore getting more distant as well.



    The movie takes place in Florida, but none of the sets are really remarkable. Many of the shots take place in the city and in the family mansion, but most of the scenes towards the end are in a studio that simulates the Everglades. My favorite set was probably the school auditorium since it has a creepy atmosphere for the confrontation that occurs there.

    The acting in this film was very good. Robert De Niro really takes the cake here with his incredibly disturbing portrayal of Max Cady as a sly and conniving criminal who evades arrest while taking revenge. He certainly put a lot of work into the film since he had to get in great physical condition, get large tattoos all over himself, and even hire a dentist to mess up his teeth. I was also impressed by Nick Nolte, who plays his character with realistic anger. Juliette Lewis reportedly worked hard to get this early role in her career, but she plays her part very convincingly.



    Overall, I thought this movie was great, despite some bad sequences and questionable camera shots. One such shot is a reversal of a person falling into water that simply looks way out of place. The ending also felt rushed and unsatisfying since I didn't feel a lot of sympathy for Nolte's character.
     
     
    This week-end i watch Cape Fear..well i must say that is not aveable for weak hearts..it's a great triller and well Scorsese make's a great job , he should have 1000 of Academy awards, because he is just so cool..and De Niro ohh my God !(like Janice) it's amazinggg and he look' s so deam good!!! Well i let some more info about the movie ..i hope that if you already watch it reed some of the wear info..and if you haven't WHAT ARE YOU WAITING 4!!!!! RENTED NOWW!!!!
    Director:
    Martin Scorsese
    Writers (WGA):
    John D. MacDonald (novel)
    James R. Webb (earlier screenplay)
    more
    Release Date:
    11 March 1992 (Spain) more
    Genre:
    Crime / Drama / Thriller more
    Tagline:
    There is nothing in the dark that isn't there in the light. Except fear. more
    Plot Outline:
    A convicted rapist, released from prison after serving a 14 year sentence, stalks the family of the lawyer who originally defended him. more
    Plot Keywords:
    Good Versus Evil / Gothic / Panties / Woman / Adultery more
    Awards:
    Nominated for 2 Oscars. Another 2 wins & 8 nominations more
    User Comments:
    "Counselor, Come Out! Come Out! Wherever You Are!" more


    Trivia:
    Both Robert De Niro and Nick Nolte had to alter their physiques for the film because the 6'1", bulky, Nolte is clearly larger than the 5'10", slimmer De Niro. Nolte lost a good deal of weight while shooting the film and De Niro bulked up his muscles considerably until De Niro was clearly Nolte's physical superior. Interestingly the original Sam Bowden (Gregory Peck) was also slightly taller than the original Max Cady (Robert Mitchum). more
    Goofs:
    Factual errors: At the end of the film, Sam Bowden says that he had to go to hearings before the American Bar Association as a result of his criminal actions toward Cady. But the ABA doesn't license lawyers, nor does it have the authority to disbar them. It is a lobbying group. Bowden would have had to go before the North Carolina Bar Association, given that that the crime occurred in that state. more
    Quotes:
    Max Cady: Are you my friend? Are you my friend?
    Claude Kersek: No I'm not your friend.
    Max Cady: Well, see, I like to plan my comings and goings with friends, so if you're planning my comings and goings I'd call that presumptuous, in fact I'd call it downright rude.